Wednesday, May 12, 2010

Switzerland (again???)

I spent the last week in Switzerland. Most of you are probably wondering how I manage to get so far from home (about ten hours of travel time) so often, and the answer this time was that I missed a lot of school, but it was totally worth it. My audition was on Friday, and went quite well. I do not have official results yet, I will post them as soon as I do (next week, I believe).

On to the fun part--the pictures!

Zürcher Hochschule der Künste
This is where I might study next year!!!

The famous wooden bridge in Luzern

A Carnival mural in Luzern

There were chickens running around outside of the cafe we ate lunch in on Sunday. I decided they were probably quite tame.... "but they're so cute!"

Cédric, probably laughing at me because I kept picking up the chickens... =)

Me, Cédric, and Brianna

Another sport that just makes you wonder

This one with very tolerant horses...

Saturday, May 1, 2010

School Update

I haven't written in too long, so..... I figured I would write a quick update about what's going on in the school search.

I'm going to Zürich on Wednesday for my audition, which is May 7th. :) I am really excited to miss lots of school, and go back to Switzerland. I like Switzerland.... :)

I also just got a letter from the school in Berlin. My audition there is June 7th... There was much jumping and squealing when that letter came in the mail yesterday... It will be AWESOME!

I haven't heard from my last school (and I believe I'm not supposed to for a little longer)....

And that is the school update!

Thursday, April 22, 2010

Happy Orchestra Land

I realize I don't write all that much, and I'm sorry... finding both time and something interesting to write about is often a challenge, because contrary to popular belief, I do actually have many a boring, normal day.

I figured I would write about my orchestras right now. I'm playing in two: The Haydn-Orchester in Hamburg, and the Oldenburgisches Schlossorchester in Oldenburg. This week I have three concerts (Thursday, Saturday, Sunday) for the Haydn-Orchester. We're playing Schumann's 3rd Symphony, Chopin's 1st Piano Concerto, and Beethoven's Leonore III Overture. Next weekend I have the concert in Oldenburg. We're playing Dvorak's Cello Concerto, and Mendelssohn's 3rd Symphony. Lots of fun music, very little time to sleep.

The best thing about the Oldenburg Orchestra is that it's close.... I can make it home from rehearsal before 2am, which is when I get home from Hamburg (I also sometimes spend the night in Hamburg with an oboist who kindly invited me to crash at her place).

Some thoughts on German orchestras. Many of the instruments are slightly different (the clarinets, for example), and thus sound a bit different. The horns mostly play a brand of horn with a very distinct sound, which makes my job a little more interesting: I have to learn to blend with it so I don't stick out (since I don't have an alexander). German orchestras to me usually sound darker and rounder than their American counterparts.

Orchestra is really fun: I get to meet a lot of new people, and play some cool music. I'll be sad when it's over, although I will NOT miss the commute. I'll also suddenly have practice time, and won't miss classes because of concerts. This might make my teachers happier.

Quick update, for those of you who don't know how the european conservatory search is going: I applied at three schools: the conservatory (HdK) in Zürich, the conservatory (UdK) in Berlin, and the conservatory (Musikhochschule) in Trossingen (and yes I did just translate three different German words or phrases into conservatory....). I haven't heard from the two in Germany yet (should be hearing in the next few weeks, I hope), but I have been invited to play an audition in Zürich on May 7th. I'm really excited to play for the people there, and I really hope they decide they want me, because, well.... Zürich is awesome, and based on the information I currently have, it may very well be the best fit for me artistically. I'm also excited to miss some more school, and go back to Switzerland. =)

Saturday, April 10, 2010

The Instruments...

I thought I would write something about the instruments I have right now.... not about them in terms of what they are, more in terms of how I imagine them to be... some of you may wish to institutionalize me after this post--please don't.... =p

Just to be clear.... Ishara is my normal horn--a standard double. Bastien is a Baroque horn, and Monster is an oboe.

Ishara thinks she's special. She was here first dammit, and she gets to ride on my back. The others don't get that honor. She goes with me to the university the most, is currently getting played in three orchestras, and has been on far more trips than the other instruments. She enjoys getting special attention--being let on planes she doesn't fit on, going shopping with me on our way home for the University, and being admired, because she really is that pretty. Shara puts up with the boys, but doesn't like to share her practice time.

Bastien is a wee bit of a curmudgeon. He's the eldest, and is constantly referring to how things were done in his day. Shara usually ignores him, but Monster hangs on to his every word. Perhaps because of this, Bastien is more tolerant towards Monster than Ishara, and sometimes will even let Monster ride on his back. Bastien is suspicious of anything with valves: he consideres this manner of instrument too complicated. He has his good old honest crooks, and that is plenty for him.

Monster may be small, but don't let his size fool you. Monster is in every way the baby, an annoying attention hog who is always up to something. He likes to play practical jokes, eat his reeds, and play tug of war with the cleaning cloth. He's developed an unlikely friendship with Bastien, perhaps because he knows that Ishara will never accept him as her equal, because he's not even in the same genus, let alone the same species of instrument. Monster is also a sucker for a good story--telling him one is really the only way to keep him out of trouble.

Tuesday, April 6, 2010

Switzerland

I spent Easter Weekend in Switzerland with Cédric and his family. They live in Baden (which is near Zürich), but spend holidays in the French speaking part, which has pretty mountains. We visited people, I played lots of horn, wrote a paper, played more music, and just enjoyed the last weekend of freedom before school started.

The view from their apartment window
Us inline skating
The castle on the lake
Easter morning, nice and cloudy...
Cédric with the Baroque Horn I'm borrowing
Me practicing
A Bb horn that's an octave higher than a normal one... Essentially a horn shaped trumpet
And I might have stolen Cédric's hat...

Thursday, March 4, 2010

Fearless

Sometimes you have to take risks, hang from a skyscraper by your toes, run at a lover full speed, because tomorrow no longer matters. You’re always looking for the purple in the sky, the blue in the grass, the black in the sea. You never want to be the one who even thinks I should have learned to fly, reached a little higher, let alone believes it. You never want to be the one sitting at home, blowing rings of smoke across the balcony and sipping a glass of stale white wine.

But the nights don’t always go as planned, because no matter how fearless you are, often you are still lonely. You wake up beside an unknown lover, a lover who doesn’t know what it’s like to hand-feed a tiger, a lover who’s only knowledge of you is of a different source, more intimate and less personal, and you wonder what would have been different had you stayed behind the veil. What would have been different if you had lived your life according to the master plan set for you, what would happen if you hadn’t learned to dance like the sea, fall like a bird, sing like a star.

When doubt crawls over you, you have the insatiable urge to disprove it. To stare at the sun, befriend the enemy, walk into danger’s mouth short an angel, mix truth with lies until you create a world. You always know that if you mess up you’ll pay with your own blood, but that’s been a given since the beginning. A debt you settle with a knife, because then you can go on, run for the next cliff and hope that the music catches you.

Then the tears come, often unbidden, swallow you, swirl around the colors until you’re dizzy, until they’ve extinguished the light in the palm of your hand. The tears enslave you, hold you against yourself, take the known and plunge it into a darkness so deep it can only become unknown. Sometimes the darkness grows and swallows you too, leaving you searching for a flame to guide you back towards reality.

But curiosity and reality often give different answers, picking you up and throwing you towards failure like the wind throws a child’s doll, left carelessly in the sun after a butterfly flew by, changing the world just enough to change the child’s dreams. Curiosity is never satisfied with reality, because reality rarely provides something to hold and nurture, instead giving strange equations that are somehow expected to encompass the meaning of the universe.

You have to remember. You have to remember how it felt to have your back pressed against concrete, savagely imprisoned until you couldn’t breathe, the stars just visible. You have to remember the nights spent curled up in a sweatshirt three times your size, wondering if it could work like a magician's cloth, and make you disappear altogether. You have to remember the exhilaration of the chase, the thrill of the risk, the joy of the knowledge that can only come from experience. You have to remember the tender moments, the moments when your body met a lover, and sparks flew from your eyes into deep pools of light.

So you run at heartbreak, embrace absurdity, challenge the world just for the sake of a challenge. You set fires, let the crackle and the flame free you, create you, teach you how to be both yielding and fierce. You burn what they left you, before they went to hold someone easy, someone who wouldn’t stare them in the depths of their eyes, someone who wasn’t fearless.